I’m just getting these up with the tile and the railing in the making and MJ already has taken more pics that will be coming up, he’s a MANIAC!!!
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I’m just getting these up with the tile and the railing in the making and MJ already has taken more pics that will be coming up, he’s a MANIAC!!!
Vodpod videos no longer available.
I just added the Firm’s Book to this site as a page. Check the pdf out!
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2008 is rocking for us… I’m posting this way late, but after sending around the newsletter with the big news, I keep forgetting to put it on the blog, finally I get to it! Et voila ici:
MJ Neal, AIA wins Another Design Honor Award… and a Silver Medal as it was distributed on our newsletter, if you want to receive it, go here:
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It’s concrete guys, so smooth that you’d think it was plastic… fabricated by John Newbold.
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That would be “the man” as in the good, iconoclastic, sort of James Brown way not the governmental, controlling, fascist (I won’t mention any names) sort of way.
so check it:
Zumthor goes to the essence of things
Ettore Sottsass (1917-2007)
The thing I love most about Ettore Sottsass is his beautiful, poignant, often ironic writing. The following was in The Reader (a compilation of architecture writings from news papers around the world) put out by Abitare. The writing was originally published in Terrazzo, n. 12
HOUSES HAVE AN INTERIOR
Those who build a house will also be building an inner void.
People, I mean the infinte, diverse, ancient and new people, fill the empty spaces of their houses, and their workshops, with whatever they think may somehow count as protection, precisely, against the unknown.
There are also the protections of so-called “culture”, the protections of rooms full of books or maybe full of “works of art”. “Culture is the most detached, the subtlest protection, the protection that seems to exist beyond the protection itself; “culture” is imagined as a total way out, as the place nearest the truth, as the place that protects more than all the other places, as the place that rubs out all daily sins, as the place farthest from the storms and the becalmed seas, farthest from the unkown, from frailty, farthest from the dreams of guilt, from syphilis and impotence, as the place ever blessed by sperm, as the final place never disclosed by moans.
Ettore Sottssas
Is it just me or is this starting to feel like a final stretch?
Check the first pics of the bulthaup kitchen outfit.
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Dr. Ami Ran chats with Tzadik and Elie Eliakim
I’ve excerpted the following from a conversation with the architects in Architecture of Israel Quarterly #60
(The bold and italics are added by me. Enjoy.)
Tzadik and Elie Eliakim – If youre hinting that the building stands out for its modesty, we accept that as a compliment. Today architects are making every effort to convey uniqueness in order to position their individual world-views at the core of their creations. However, when dealing with a structure that must meet particular needs, one must simply deposit ones ego. Though were as up-to-date as we would like to be, we make every effort to avoid producing a “branded” architecture. In order to do so, we are committed to starting every project from point zero, without recycling ready-made solutions, especially such that might vanish once the “attractive” buildings are out of fashion.
Dr. Ami Ran – Im still having trouble grasping how this illustrates a process that begins at point zero? Do you avoid conveying accumulated knowledge from project to project?
Tzadik and Elie Eliakim – Were referring to our personal interpretation of Adolph Loos concept of architecture reduced to zero. According to him, the encounter between the programme and the context is abstract and has no tangible form. That is, ideas have no specific physical configuration.